The weekend happened.
My biggest accomplishment was staining the new pine shelves for the living room. These shelves are destined to hold our games. My second biggest accomplishment was cleaning up from Christmas, which took getting everything out of the living room and back into the basement. The wrapping materials still need to get put away, but they're in the basement, so they don't exist.
On Friday night, we finally got back to this season of Doctor Who. Yes, we're lame.
Saturday night, Brian F. came by. I hadn't seen him for a few years. We sat around talked while his kids did their activity in Rockville. The visit was good.
On Sunday, we visited Mark and Izzy, hanging out after church. By hanging out, I mean actual, wayward, together in the same space but not sweating it hanging out. We had a good time. DesignGirl spent her time taking YouTube quizzes to determine what kind of dog she should get or what her soul element was. Jenny showed her puzzle addiction. I worked on the City Paper crossword.
I have an issue with The Force Awakens, this issue centers around the use of the MacGuffin. The structure of a MacGuffin works roughtly like this: everyone wants its, everyone talks about it, you learn about it, and at the end of the film/story, the conflict is directly over it.
The Force Awakens breaks almost all of those basic rules of MacGuffining.
Clarity. What exactly is the MacGuffin? Is it the map, BB-8, or Luke Skywalker? Not much time is spent on any of these items in the film despite them being central to the film. For example, Luke is important because he's a jedi. Once he rejoins the Republic, or the Resistance, something very vague will happens, so vague that nobody knows what it is, not even his enemies. Likewise, there's a map to Luke, but the map never matters until the end of the film. The gaining of the MacGuffin is supposed to feel like a big moment in the film, but in this one, which moment is it, and more importantly, why don't most of them feel like big moments?
Conflict. The MacGuffin drives the final conflict. In Episode IV, there's the plans to the Death Star, which leads to a showdown with the Death Star. The MacGuffin is directly tied to the finale, the final 15 minutes of the film. In Episode VII, BB8 and the map leads to a battle against Starkiller Base, which has nothing to do with either the map or Luke Skywalker. Essentially, Starkiller Base walks in from offscreen. That's the point where resolving the MacGuffin should reside and dealing with the implications of that resolution.
So the First Order is trying to get the map as well. Cool. That's conflict. What exactly are their PLANS once they gain the map to Luke Skywalker? We don't know. Will they blow his planet up? We don't know. Will they attempt to sway him? We don't know. What did Rylo Ken hope to get out of this? The audience needs to know what failure will cause, but in this film, we don't know any of the implications of failure.
Likewise, we needed to know what what failure to find Luke meant to the resistance. What exactly would he turn around if he were present? We really don't understand what good Luke would accomplish. I find it amazing that we don't know what success means for the Resistance who began the search for Luke.
Obviousness. Although a MacGuffin is obvious from the outside, for the most part, a MacGuffin should fit into the film as if it belongs there. That wasn't the case in Episode VII, where the MacGuffin of the map said, "I'm the MacGuffin." Its use felt too obvious, and its obviousness was amplified by the trope's poor use.
Maybe I misremember. Maybe there lines which explained what the First Order's practical intentions were towards Luke Skywalker. If so, please enlighten me.
The thing is, none of those things above matter, because the real story is Rey's internal journey, which I found rather muddled. With the introduction of Luke's light saber, we had a MacGuffin appear that seemed to replace the map. The light saber's introduction and vision provided an implicit promise that it could lead Rey to Luke.
I suppose that we could use a series of MacGuffins, all to push Rey towards Luke, but that sort of film would be structured differently from Episode VII's structure.
From writing, I grossed $80 last year, up 125% from the previous year, over expenses of $500 some odd dollars.